Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Mulvany, Aaron P. |
”Reawakening pride once lost”: indigeneity and European folk metal |
2000 |
|
|
|
| Martínez Garcia, Sílvia |
La production de genres : analyses depuis les périphéries du heavy metal |
2006 |
Volume! La revue des musiques populaires |
5 |
91-113 |
| Lukes, Daniel |
Black metal machine: theorizing industrial black metal |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
69-94 |
| Leichsenring, Jan |
”Wir fordern das Unmögliche”. Zur Formulierung und Funktion antimoderner Topoi in einigen Metal-Subgenres |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
291-306 |
| Kennedy, Lewis F. |
Functions of genre in metal and hardcore music |
2017 |
|
|
|
| Hofmann, Alexander |
Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres |
2020 |
Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak |
15 |
73-91 |
| Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
| Hill, Rosemary Lucy |
Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community |
2011 |
Journal for Cultural Research |
15 |
297-313 |
| Hassemer, Simon Maria |
Metal-Alter. Zur Rezeption der Vormoderne in Subgenres des Heavy Metals |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
247-261 |
| Hagen, Ross |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
2020 |
The Oxford Handbook of Music and Medievalism |
|
546-563 |
