| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Hagen, Ross |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
2020 |
The Oxford Handbook of Music and Medievalism |
|
546-563 |
| Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
| Trafford, Simon |
Blood, fire,, death: Bathory and the birth of viking metal |
2013 |
Gathering of the tribe: music and heavy conscious creation |
|
302-308 |
| Hill, Rosemary Lucy |
Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community |
2011 |
Journal for Cultural Research |
15 |
297-313 |
| Coggins, Owen |
‘Record store guy’s head explodes and the critic is speechless!’ Questions of genre in drone metal |
2016 |
Metal Music Studies |
2 |
291-309 |
| Leichsenring, Jan |
”Wir fordern das Unmögliche”. Zur Formulierung und Funktion antimoderner Topoi in einigen Metal-Subgenres |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
291-306 |
| Hassemer, Simon Maria |
Metal-Alter. Zur Rezeption der Vormoderne in Subgenres des Heavy Metals |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
247-261 |
| Ribeiro, Hugo |
Heavy, Death and Doom Metal in Brazil: A Study on the Creation and Maintenance of Stylistic Boundaries within Metal Bands |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
227-244 |
| Samlhofer, Andreas |
Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
207-224 |
| Friconnet, Guillaume |
Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features |
2022 |
Metal Music Studies |
8 |
183-203 |
