| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |
|
|
|
Gracyk, Theodore |
Heavy Metal: Genre? Style? Subculture? |
2016 |
Philosophy Compass |
11 |
775-785 |
|
|
|
Hosman, Sarah Siltanen |
Gender inequality in metal music production (book review) |
2019 |
Gender & Society |
33 |
652-654 |
|
|
|
Pascual Auqué , Patricia |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
2020 |
Tropleías |
7 |
625-640 |
|
|
|
Batista, Marcelo R. |
United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991 |
2023 |
|
|
528 |
|
|
|
Martínez, Susana González |
Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula |
2023 |
|
|
528 |
|
|
|
Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
|
|
|
Moores, JR |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
2021 |
|
|
480 |
|
|
|
Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
|
|
|
Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
|
