| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Silk, Janet |
Open a vein: suicidal black metal and enlightenment |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
5-20 |
|
|
|
Morton, Timothy |
At the edge of the smoking pool of death: Wolves in the Throne Room |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
21-29 |
|
|
|
Lesourd, Elodie |
Baptism or death: black metal in contemporary art, birth of a new aesthetic category |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
29-43 |
|
|
|
Ishmael, Amelia |
The night is no longer dead; it has a life of its own |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
n.-p. |
|
|
|
Prescott-Steed, David |
Frostbite on my feet: representations of walking in black metal visual culture |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
45-68 |
|
|
|
Lukes, Daniel |
Black metal machine: theorizing industrial black metal |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
69-94 |
|
|
|
Cotterell, Joel |
This is Armageddon: the dawn motif and black metal’s anti-Christian project |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
95-101 |
|
|
|
Lesouooijenrd, Erik van |
Giving life harmoniously: animal inversion in Cattle Decapitation |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
73-93 |
|
|
|
Lesouooijenrd, Erik van |
Contempt, atavism, eschatology: black metal and Bergson’s porous inversion |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
93-110 |
|
|
|
Gardenour Walter, Brenda S. |
Through the Looking Glass Darkly: Medievalism, Satanism, and the Dark Illumination of the Self in the Aesthetics of Black Metal |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
13-27 |
|
