Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
Heavy metal as controversy and counterculture |
2012 |
Popular Music History |
6 |
5-18 |
| Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
| Hoad, Catherine |
“Images and words”: Textual analysis and its uses for metal music studies |
|
The Bloomsbury Handbook of Popular Music and Youth Culture |
|
151-169 |
| Kahn-Harris, Keith |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
2006 |
The popular music studies reader |
|
128-134 |
| Kahn-Harris, Keith |
‘Roots’? the relationship between the global and the local within the Extreme Metal scene |
2000 |
Popular Music |
19 |
13-30 |
| Kallioniemi, Kari; Kärki, Kimi |
The Kalevala, Popular Music, and National Culture |
2009 |
Popular Music |
13 |
12 |
| Karjalainen, Toni-Matti |
And so, Finland Became a Heavy Metal Nation |
2021 |
Made in Finland: studies in popular music |
|
|
| Karjalainen, Toni-Matti |
Afterword – From a Campfire to the Global Stage: A Conversation with Tuomas Holopainen of Nightwish |
2021 |
Made in Finland: studies in popular music |
|
|
| Kelly, Sean |
A Garage of One’s Own. Heavy Metal as a Reinvention of Social Technology |
2006 |
The Resisting Muse: Popular Music and Social Protest |
|
149-162 |
| Kieran, James; Walsh, Rex |
Religion and heavy metal music in Indonesia |
2019 |
Popular Music; Cambridge |
38 |
276-297 |
