Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Klypchak, Brad |
‘How you gonna see me now’: Recontextualizing metal artists and moral panics |
2011 |
Popular Music History |
6 |
|
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
| Lucas, Olivia R. |
‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist |
2019 |
Popular Music; Cambridge |
38 |
481-497 |
| Madro, Andrzej |
Rebels Without a Cause? Polish Rock and Metal Music After 1989 |
2021 |
Journal of World Popular Music |
8 |
168–184 |
| Martens, Paul |
Metallica and the God hat Failed : An Uninished Tragedy in hree Acts |
2005 |
Call Me the Seeker: Listening to Religion in Popular Music |
|
95-114 |
| Moberg, Marcus |
Portrayals of the End Times, the Apocalypse, and the Last Judgment in Christian Metal Music |
2012 |
Anthems of Apocalypse: Popular Music and Apocalyptic Thought |
|
|
| Moberg, Marcus |
Religion in Popular Music or Popular Music as Religion? A Critical Review of Scholarly Writing on the Place of Religion in Metal Music and Culture |
2012 |
Popular Music and Society; Bowling Green |
35 |
|
| Nordström, Susanna |
Contextualizing Extreme-Metal Music: The Case of the Swedish Metal Nursery |
2016 |
Made in Sweden: Studies in Popular Music |
|
121-130 |
| Pérez Pelayo, Marisol |
The Legacy of the Sun: Cemican, Mesoamerican instruments, and their materiality in metal music |
2023 |
Riffs: Experimental Writing on Popular Music |
7 |
7-21 |
| Phillips, Dennis |
Meddling in Metal Music |
1992 |
Research in American Popular Music |
|
|
