Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Pichler, Peter |
To the sources! On historical source criticism in metal studies |
2023 |
Popular Music History |
15 |
54–77 |
| Pieslak, Jonathan |
Sound, text and identity in Korn’s ’Hey Daddy’ |
2008 |
Popular Music |
27 |
35-52 |
| Pillsbury, Gleen T. |
Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience |
2000 |
Popular Music and Society |
24 |
125-128 |
| Rosario-Luna, Ramón |
Crisis notwithstanding: Metal in Puerto Rico |
2024 |
Made in Puerto Rico: Studies in Popular Music |
|
49-60 |
| Spracklen, Karl |
True Norwegian Black Metal — The Globalized, Mythological Reconstruction of the Second Wave of Black Metal in 1990s Oslo |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
183-195 |
| Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
| St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
| Swiniartzki, Marco |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
2021 |
Journal of Popular Music Studies |
33 |
168-193 |
| Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
| Till, Rupert |
Metal and the Beast: The adoption of apocalyptic imagery in heavy metal music |
2012 |
Anthems of Apocalypse: Popular Music and Apocalyptic Thought |
|
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