| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2011 |
Popular Music History |
6 |
116-134 |
| Hoad, Catherine |
“Images and words”: Textual analysis and its uses for metal music studies |
|
The Bloomsbury Handbook of Popular Music and Youth Culture |
|
151-169 |
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
| Kahn-Harris, Keith |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
2006 |
The popular music studies reader |
|
128-134 |
| Kelly, Sean |
A Garage of One’s Own. Heavy Metal as a Reinvention of Social Technology |
2006 |
The Resisting Muse: Popular Music and Social Protest |
|
149-162 |
| Hakanen, Ernest A.; Wells, Alan |
Adolescent music marginals: Who likes metal, Jazz, Country, and Classical |
1990 |
Popular Music and Society |
14 |
57-66 |
| Herbst, Jan-Peter; Mynett, Mark |
Aesthetic Tensions in Metal Production: Genre Expectations, Technological Mediation, and Creative Freedom |
2025 |
Popular Music and Society |
Latest Articles |
|
| Karjalainen, Toni-Matti |
Afterword – From a Campfire to the Global Stage: A Conversation with Tuomas Holopainen of Nightwish |
2021 |
Made in Finland: studies in popular music |
|
|
| Weinstein, Deena |
All Singers Are Dicks |
2004 |
Popular Music and Society |
27 |
323-334 |
| Anderton, Chris; Goodge, Paul |
Alone in the Crowd? Live Music Audiences and Individual Experience |
2025 |
Popular Music |
First View |
1-15 |
