| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Squires, Vik J. |
Raising the devil horns: Coven and the Occult’s Influence on the Development of Metal Music |
2005 |
Revenant |
12 |
182-200 |
| Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|
Discographie, filmographie, photographies metal |
2005 |
Societes |
88 |
149-154 |
| Mombelet, Alexis |
La blandice de satan. Les satanismes dans le metal |
2005 |
Societes |
88 |
139-145 |
| Mombelet, Alexis |
Metal versus gothic |
2005 |
Societes |
88 |
135-138 |
| Montanero Vico, Luis |
The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil |
2005 |
Ex Novo. Revista d'Historia i Humanitats |
2 |
123-139 |
| Campbell, Erik |
The Death of Satan: A novice poet’s ode to his innocence, classic heavy metal, & the creativity of imaginary evil |
2005 |
The Massachusetts Review |
46 |
105-120 |
| Luhr, Eileen |
Metal Missionaries to the Nation: Christian Heavy Metal Music, ”Family Values,” and Youth Culture, 1984-1994 |
2005 |
American Quarterly; College Park |
57 |
103-128 |
| Martin, Frédérick |
Pour une approche musicologique du black metal |
2005 |
Societes |
88 |
103-108 |
| Martens, Paul |
Metallica and the God hat Failed : An Uninished Tragedy in hree Acts |
2005 |
Call Me the Seeker: Listening to Religion in Popular Music |
|
95-114 |
