| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Campbell, Erik |
The Death of Satan: A novice poet’s ode to his innocence, classic heavy metal, & the creativity of imaginary evil |
2005 |
The Massachusetts Review |
46 |
105-120 |
|
|
|
Montanero Vico, Luis |
The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil |
2005 |
Ex Novo. Revista d'Historia i Humanitats |
2 |
123-139 |
|
|
|
Berelian, Essi |
The rough guide to heavy metal |
2005 |
|
|
|
|
|
|
Popoff, Martin |
UFO: shoot out the lights |
2005 |
|
|
|
|
|
|
Dornbusch, Christian; Killguss, Hans-Peter |
Unheilige Allianzen: Black Metal zwischen Satanismus, Heidentum und Neonazismus |
2005 |
|
|
|
|
|
|
Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|
|
|
Lau, Tori Johanne |
”Jump!” Aggression, dance and gender roles – a reading of mosh pit culture |
2005 |
|
|
|
|
|
|
Akoto, Philip |
”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik |
2005 |
|
|
|
|
|
|
Akoto, Philip |
”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik |
2005 |
|
|
|
|
