| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Kahn-Harris, Keith |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
2006 |
The popular music studies reader |
|
128-134 |
| Kelly, Sean |
A Garage of One’s Own. Heavy Metal as a Reinvention of Social Technology |
2006 |
The Resisting Muse: Popular Music and Social Protest |
|
149-162 |
| Engleheart, Murray; Durieux, Arnaud |
AC/DC: maximum rock & roll |
2006 |
|
|
|
| Rafalovich, Adam |
Broken and Becoming God-Sized: Contemporary Metal Music and Masculine Individualism |
2006 |
Symbolic Interaction; Hoboken |
29 |
19-32 |
| Liew, Kai Khiun; Fu, Kelly |
Conjuring the tropical spectres: heavy metal, cultural politics in Singapore and Malaysia |
2006 |
Inter-Asia Cultural Studies |
7 |
99-112 |
| Pillsbury, Glenn T. |
Damage incorporated: Metallica and the production of musical identity |
2006 |
|
|
|
| Hamma, Amine; Guibert, Gérome |
De l’internationale-metal au conflit sociétal local : la scène de Casablanca. Entretien avec Amine Hamma |
2006 |
Volume! La revue des musiques populaires |
5 |
153-177 |
| Byrne, Alan |
Die Abenteuer von Phil Lynott und Thin Lizzy |
2006 |
|
|
|
| Popoff, Martin |
Dio: Light beyond the black |
2006 |
|
|
|
| Peláez Sánchez, Miguel Antonio |
El concepto de muerte en el rock gótico |
2006 |
Logos |
10 |
66-74 |
