Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Brizard, Cyril |
Le monde du métal symphonique: vers une sociologie de l’oeuvre comme création continuée, l’exemple de Nightwish |
2011 |
|
|
|
| Brown, Andy R. |
No Method in the Madness? The Problem of the Cultural Reading in Robert Walser’s ”Running with the Devil: Power Madness and Gender in Heavy Metal Music” and Recent Metal Studies |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
63-72 |
| Brown, Andy R. |
Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 |
2011 |
Journal for Cultural Research |
15 |
213-242 |
| Calvo, Manuela Belén |
”Nightfall in Middle Earth”: un disco de Blind Guardian inspirado en “El Silmarillion” de J. R. R. Tolkien |
2011 |
DigiLenguas |
3 |
|
| Campos, Cristian |
Metal & Hardcore Graphics: extreme artworks from the underworld |
2011 |
|
|
|
| Chaker, Sarah |
Götter des Gemetzels: Mediale Inszenierung von Tod und Gewalt im Death Metal |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
11-24 |
| Chaney, Damien; Petite, Antoine; Chaney, Ludovic (eds) |
État des lieux des musiques extrêmes: les albums essentiels d’un demi-siècle de transgression hard rock, métal, punk, hardcore & co |
2011 |
|
|
|
| Coulman, Laura |
See you at the cemetery gates: saints and survivors of the heavy metal scene |
2011 |
|
|
|
| Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
| Della Cioppa, Gianni |
HM: il grande libro dell’heavy metal |
2011 |
|
|
|
