| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
|
|
|
Hoad, Catherine |
’Hold the Heathen Hammer High’ Viking metal from the local to the global |
2013 |
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. |
|
62-70 |
|
|
|
Hortua, Giovanni |
Bullets, drugs, and rock and roll: Colombian punk rock, heavy metal culture in a time of revolt and terrorism, 1979-1995 |
2013 |
|
|
|
|
|
|
Hug, Xavier; Torgoff, Leo Stephen |
Un art contemporain ? la (sombre) lumière du Black Metal |
2013 |
Art press |
396 |
69-74 |
|
|
|
Hughes, Glenn; McIver, Joel |
Glenn Hughes: l’autobiografia della voce del rock : dai Deep Purple ai Black Country Communion |
2013 |
|
|
|
|
|
|
Ishmael, Amelia |
The night is no longer dead; it has a life of its own |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
n.-p. |
|
|
|
Jones, Ieuan |
Black Metal and the Rebirth of the ‘Monstrous’ in Norway |
2013 |
Global Interdisciplinary Research Studies |
3 |
75-92 |
|
|
|
Jousmäki, Henna |
Dialogicality and Spiritual Quest in Christian Metal Lyrics |
2013 |
Journal of Religion and Popular Culture; Toronto |
25 |
273-286 |
|
|
|
Klypchak, Brad |
‘How you gonna see me now’: Recontextualizing metal artists and moral panics |
2013 |
Heavy metal: controversies and countercultures |
|
36-49 |
|
|
|
Kugelberg, Johan; Beste, Peter |
True norwegian black metal: we turn in the night consumed by fire |
2013 |
|
|
|
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