| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Natter, Tobias |
Subkulturen und Hybridität im ”Dritten Raum”: Menschen im Spannungsfeld kultureller Hegemonien ; eine Analyse ideologischer Konflikte am Beispiel des Dokumentarfilms ”Heavy Metal in Baghdad” und der irakischen Heavy Metal Band ”Acrassicauda” |
2013 |
|
|
|
|
|
|
Oberleitner, Verena |
Die Metalkultur zwischen musikalischer Höchstleistung und krimineller Energie |
2013 |
|
|
|
|
|
|
Olson, Benjamin Hedge |
Voice of our blood National Socialist discourses in black metal |
2013 |
Heavy metal: controversies and countercultures |
|
136-151 |
|
|
|
Ortega, Mercedes Iáñez; Salvador Ventura, Francisco José |
Satanismo y Heavy metal |
2013 |
Cine y religiones: expresiones fílmicas de creencias humanas |
|
247-266 |
|
|
|
Overell, Rosemary |
‘[I] hate girls and emo[tion]s’: Negotiating masculinity in grindcore music |
2013 |
Heavy metal: controversies and countercultures |
|
201-227 |
|
|
|
Patterson, Dayal |
Black metal: prelude to the cult |
2013 |
|
|
|
|
|
|
Patterson, Dayal |
Black Metal: Evolution of the Cult |
2013 |
|
|
|
|
|
|
Phillipov, Michelle; Olson, Benjamin Hedge |
Extreme music for extreme people? Norwegian black metal and transcendent violence |
2013 |
Heavy metal: controversies and countercultures |
|
152-165 |
|
|
|
Pierry, Michael |
The LCC Number of the Beast: A Guide to Metal Musk and Resources for Librarians |
2013 |
Music Reference Services Quarterly |
16 |
141-159 |
|
|
|
Piper, Jonathan |
Locating Experiential Richness in Doom Metal |
2013 |
|
|
|
|
