| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
|
|
|
Fuertes Sánchez, Fernando |
Configuración del underground metalero en Bolivia: El caso de la banda de metal extremo Subvertor |
2018 |
|
|
|
|
|
|
Grütz, Moritz |
Metallisierte Welt: auf den Spuren einer Subkultur |
2018 |
|
|
|
|
|
|
Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
|
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
|
|
Hay, Alexander |
Phew – What a blizzard! Black metal and the UK popular press |
2018 |
Metal Music Studies |
4 |
329-341 |
|
|
|
Hazle, Dawn |
Delusions of grandeur? Aria and the development of Soviet metal music |
2018 |
|
|
|
|
|
|
Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
|
|
|
Herbst, Jan-Peter |
Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures |
2018 |
Metal Music Studies |
4 |
95-113 |
|
