|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Coggins, Owen |
Distortion, restriction and instability: Violence against the self in depressive suicidal black metal |
2019 |
Metal Music Studies |
5 |
401-418 |
|
|
Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
|
|
Coggins, Owen |
Ritual Sacrifice in the Music and Noise of a Metal Festival |
2019 |
Riffs: Experimental Writing on Popular Music Studies |
3 |
85-109 |
|
|
Collinson, Ian |
‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal |
2019 |
Australian Metal Music |
|
129-144 |
|
|
Copilaș, Emanuel |
Negative determinations of intellect: A Hegelian critique of Slayer’s phenomenology |
2019 |
Metal Music Studies |
5 |
71-87 |
|
|
Crofton-Sleigh, Lissa |
Heavy Metal Dido: Heimdall’s “Ballad of the Queen” |
2019 |
Classical Antiquity in Heavy Metal Music |
|
115-130 |
|
|
Díaz, Nelson Varas |
Coloniality and Resistance in Latin American Metal Music: Death as Experience and Strategy |
2019 |
HIOL: Hispanic Issues On Line |
|
226-251 |
|
|
Eischeid, Susanne A.; Kneer, Julia; Englich, Birte |
Peace of mind: The impact of metal gestures on stress and power |
2019 |
Metal Music Studies |
5 |
137-150 |
|
|
Epp, André |
The mosh pit – An area for excess or a place of learning? |
2019 |
Metal Music Studies |
5 |
107-114 |
|
|
Fletcher, Kris |
Classical Antiquity, Heavy Metal Music, and European Identity |
2019 |
The Present of Antiquity. Reception, Recovery, Reinvention of the Ancient World in Current Popular Culture |
|
223-246 |
|