| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
|
Gibson, Dylan Lawrence |
Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow” |
2019 |
Metal Music Studies |
5 |
187-200 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
González Vaquerizo, Helena |
Heavy Rome-Roma de metal. La imagen de Roma en el heavy metal y el metal |
2019 |
En los márgenes de Roma: la antigüedad romana en la cultura de masas contemporánea |
|
39-62 |
|
|
|
González, Olga T. |
We Came and Conquered: The Complexities of Viking Metal Music and Culture |
2019 |
|
|
|
|
|
|
González, Susana Martínez |
El Quijote a ritmo de rock and roll: El heavy metal español como recurso didáctico en las clases de literatura de E.S.O |
2019 |
Campo Abierto. Revista de Educación |
38 |
107-124 |
|
|
|
Gruszka, Alicja |
Koncert zespolu Behemoth jako performans artystyczny |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
229-238 |
|
|
|
Guibert, Gérôme |
Le heavy metal comme cas limite |
2019 |
Volume! La revue des musiques populaires |
15:2 |
7-12 |
|
|
|
Guibert, Gérôme |
Les spécificités culturelles de la production de musique metal. Le cas de l’industrie de la musique live en France |
2019 |
Volume! La revue des musiques populaires |
15:2 |
25-35 |
|
|
|
Gulgas, Sarah; Hassam, Nedim |
Inviting vampires into the home: MTV aesthetics and the portrayal of youth and heavy metal culture in ”The Lost Boys” and ”Queen of the Damned” |
2019 |
Heavy metal at the movies |
|
|
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