| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Ndoja, Davjola |
German National Socialist Black Metal: Contemporary Neo–Nazism and the Ongoing Struggle with Antisemitism |
2019 |
“Mister Gorbachev, tear down this wall!” Socio-economic and Political Consequences 30 Years After |
|
|
|
|
|
Neilson, Tai; Neil, Clare L. |
A band of ”Northmen” |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Neuville, Julien |
Le funeral doom metal: Emergence de la scène, valeurs esthétiques et prototype du genre en Finlande |
2019 |
|
|
|
|
|
|
Norman, Joseph |
‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins |
2019 |
Metal Music Studies |
5 |
225-242 |
|
|
|
Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
|
|
|
Okunew, Nikolai |
Red Metal – Heavy Metal als eine Subkultur der DDR |
2019 |
Rundfunk und Geschichte |
45 |
66-67 |
|
|
|
Olabarria, Leire |
“When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
173-200 |
|
|
|
Olavarría Ginocchio, Ricardo |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
2019 |
|
|
153 |
|
|
|
Oldham, Paul ’Nazz’ |
Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s |
2019 |
Australian Metal Music |
|
19-36 |
|
|
|
Olivares Merino, Julio Ángel |
Un bosque ignoto: Die Kunst Der Finsternis y las sombras de intertextualidad gótico-expresionista |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
183-214 |
|
