| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Rekedal, Jacob |
Martyrdom and Mapuche Metal: Defying Cultural and Territorial Reductions in Twenty-First-Century Wallmapu |
2019 |
Ethnomusicology |
63 |
|
|
|
|
Okunew, Nikolai |
Red Metal – Heavy Metal als eine Subkultur der DDR |
2019 |
Rundfunk und Geschichte |
45 |
66-67 |
|
|
|
González, Susana Martínez |
El Quijote a ritmo de rock and roll: El heavy metal español como recurso didáctico en las clases de literatura de E.S.O |
2019 |
Campo Abierto. Revista de Educación |
38 |
107-124 |
|
|
|
Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
|
|
|
Kieran, James; Walsh, Rex |
Religion and heavy metal music in Indonesia |
2019 |
Popular Music; Cambridge |
38 |
276-297 |
|
|
|
Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
|
|
|
Lucas, Olivia R. |
‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist |
2019 |
Popular Music; Cambridge |
38 |
481-497 |
|
|
|
Bujalka, Eva |
KVLTER than thou: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’ |
2019 |
Popular Music; Cambridge |
38 |
518-537 |
|
|
|
Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien |
Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? |
2019 |
Music Perception; Berkeley |
37 |
|
|
|
|
Hosman, Sarah Siltanen |
Gender inequality in metal music production (book review) |
2019 |
Gender & Society |
33 |
652-654 |
|
