Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Zulfiningrum, Rahmawati; Almayda, Sabian Ray Dhista |
Metal Music as a Medium of Da'wah Communication (Album “7:172” Band Purgatory) |
2023 |
Riwayat: Educational Journal of History and Humanities, |
6 |
468-477 |
| Zeidler, Bartłomiej |
The Relation between American Avant‑garde Metal and Colin Marston’s Menegroth the Thousand Caves Studio |
2023 |
|
15 |
117-128 |
| Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
| Yiren Zhao |
Metal like a hermit: Situating the “subcultural” of Chinese metal music in the Chinese context |
2023 |
Metal Music Studies |
9 |
351-357 |
| Yiren Zhao |
Shaping the Meaning of Chinese Music Cultures |
2023 |
|
|
219 |
| Yildirim, Yavuz |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
2023 |
Sociology Compass |
17 |
e13122 |
| Yalán Dongo, Eduardo |
Semiotics of Horror in the Artistic Works of Metal Album Covers in Perú |
2023 |
Passport to Hell. Critical Studies on Peruvian Metal |
|
|
| Wallach, Jeremy |
REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist |
2023 |
Sounding Out the State of Indonesian Music |
|
162-179 |
| Walch, Florian |
Extreme Metal Across the Digital Divide: Music, Technology, Genre |
2023 |
|
|
301 |
| Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
