| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Anesiadis, Alexandros; Scarpelos, Yiannis |
Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands |
2023 |
|
|
|
|
|
|
Banchs, Edward |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
283-302 |
|
|
|
Banchs, Edward; Tshomarelo “Vulture” Mosaka |
|
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
227-232 |
|
|
|
Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
|
|
|
Calvo, Manuela Belén |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
163-186 |
|
|
|
Carey, Joshua |
Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy |
2023 |
Metal Music Studies |
9 |
101-118 |
|
|
|
Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |
|
|
|
Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
|
|
|
Dukayev, Ali |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices |
2023 |
|
|
|
|
|
|
Eckerström, Pasqualina |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
|
|
