Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Vella, Elizabeth J.; McDonough, Cristin; Goldstein, Hannah |
Musical mood induction: The relative influences of music type and the importance of music preference |
2024 |
Psychology of Music |
53 |
523-534 |
| Varas-Díaz, Nelson; Scott, Niall; Hagen, Ross; Hassan, Nedim |
MMS at ten: Achievements, aspirations and challenges on the horizon |
2024 |
Metal Music Studies |
10 |
117-181 |
| Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
| Varas-Díaz, Nelson |
Extremity, Hope, and Sound in the Colonial Experience |
2024 |
Sound Research for Troubling Times. Hope in Crisis |
|
117-142 |
| Valijärvi, Riitta-Liisa |
The Laws of the Metal Scene from the Perspective of Linguistics |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
99-118 |
| Trummer, Manuel |
Highway to Hell: Das Satanische im Heavy Metal |
2024 |
|
|
166 |
| Tosun Durmuş, Büşra; Özkaya, Nur |
Doksanlar Türkiyesi’nde Altkültür Müzik Yayıncılığı: Fanzinler [Subculture Music Publishing in 1990s Türkiye: Fanzines] |
2024 |
Etkileşim: Academic Journal of Uskudar University Faculty of Communication |
13 |
250-285 |
| Tapia, Reynaldo (ed) |
Indigenismo, Fusión y Folk Metal en Bolivia |
2024 |
|
|
|
| Tapia, Reynaldo |
La masculinidad, machismo e inclusividad en las escenas metaleras: Los cambios en las expresiones de géneros en el metal |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
227-250 |
