Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Eves, Natasha |
Performing Reparative Craft: Oreet Ashery’s “Passing through Metal” |
2024 |
Textile. Cloth and Culture |
22 |
571-585 |
| Eckerström, Pasqualina |
Putting transgression into context within the complex Saudi heavy metal scene |
2024 |
Metal Music Studies |
10 |
9-26 |
| Czedik-Eysenberg, Isabella; Wieczorek, Oliver; Flexer, Arthur; Reuter, Christoph |
Charting the Universe of Metal Music Lyrics and Analyzing Their Relation to Perceived Audio Hardness |
2024 |
Transactions of the International Society for Music Information Retrieval |
7 |
129-143 |
| Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
| Choque Márquez, Edwin |
Andesground: Re-mirar nuestros propios contextos |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
107-118 |
| Chmelařová, Linda |
Zpráva z konference Metal and Transgression: Scenes, Politics, and Religion, 6–7.9.2023, Brno, Česká republika [Conference Report Metal and Transgression: Scenes, Politics, and Religion, 6–7 September 2023, Brno, Czech Republic] |
2024 |
Sacra |
22 |
58-60 |
| Charbonnier, Corentin |
Gentrifying Metal? The Evolving Gender and Social Class Characteristics of Metal Festival Audiences: A Statistical Study of the Hellfest Festival (France) |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
195-209 |
| Chang, Le |
Voicing Heavy Metal: Music, New Media, and Environmental Activism in Mainland China |
2024 |
|
|
|
| Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Taste externalization practices among Brazilian metal consumers who learn to play musical instruments |
2024 |
European Journal of Cultural Studies |
28 |
|
| Castro Balbuena, Antonio |
Narratividad, mitos y leyendas en la canción de folk metal española. Saurom: Juglares de fantasía épica sonora |
2024 |
Tropelías |
41 |
55-73 |
