Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Lliulli, Miguel Ángel |
Panorama general del folk metal en Latinoamérica y en Bolivia |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
171-196 |
| Lizardo, Omar |
From Macrogenres to microgenres via relationality |
2024 |
Poetics |
102 |
|
| Linde, Juho-Matias |
“When all the bad times stick”: Exploring expressions of negativity and anxiety in metal music |
2024 |
|
|
|
| Limber, Franco |
Ukhamawa jakawisaxa |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
197-206 |
| Kahn-Harris, Keith |
The Laws of Metal: A Sociological Perspective |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
29-42 |
| Juniper, Steff |
Disabled Drone: Trans-Feminist Noisecraft |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
52-65 |
| Jung, Lea; Suer, Daniel |
Hard Wired VIII: Methodical Approaches to Music and Dance: Exploring the Field of Heavy Metal and Its Genre Boundaries, hosted by Florian Heesch, Daniel Suer and Franziska Kaufmann, University of Siegen, Siegen, 8–9 September 2022 |
2024 |
Metal Music Studies |
10 |
61-64 |
| Jingyao Ren; Jian Lu |
Heavy Metal Music, Hip-Hop Music, and Construction Noise Induces Depressive Symptoms in Mice |
2024 |
ASEAN Journal of Psychiatry |
25 |
|
| Jiggens, Rebecca; Shadrack, Jasmine Hazel |
Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
38-51 |
| Jamshid, Jon; Patterson, Dayal |
Petrified: Under the Full Moon |
2024 |
|
|
|
