Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
| Benard, Charlène |
Who Listens to “Metal for Girls”? Metal, Orchestra and Female Voices: Measuring the Reception of Symphonic Metal in France, Between Middle Class and Gender |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
211-234 |
| Bosselmann-Ruickbie, Antje |
Queen of All Cities: Echoes of Constantinople in Heavy Metal Music |
2024 |
Mittelalter und Populärkultur: Rezeption, Aneignung, Beachtung |
|
161-192 |
| Brown, Andy R. |
Resistance Through Music: Exploring the Role of Class Fraction Appropriations and Alliances in the Subcultural Formation of Heavy Metal, Classic, Post and Present |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
17-41 |
| Brown, Andy R. (ed) |
Who Do We Think They Are? Deep Purple and Metal Studies |
2024 |
|
|
|
| Calvo, Manuela Belén |
El metal en Argentina: disputas espacio-temporales de una escena musical |
2024 |
DEBATS |
138 |
77-91 |
| Calvo, Manuela Belén |
Metal Music in Argentina: Debates in Place and Time about a Music Scene |
2024 |
DEBATS |
Annual review |
83-95 |
| Camacho Adames, Ingrid Natalia |
Rock y Metal con las uñas: Transsubjetividades féminas estridentes desde Latinoamérica |
2024 |
|
|
|
| Cárdenas Azuaje, Diana María; Cuchivague, Karen Ortiz, Karen |
El arte del ruido: el discurso visual sobre las mujeres en algunas carátulas de discos de metal colombiano |
2024 |
Contrapulso |
6 |
57-73 |
| Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Taste externalization practices among Brazilian metal consumers who learn to play musical instruments |
2024 |
European Journal of Cultural Studies |
Online First |
|
