Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Silva Arratia, Mariela Aiggei |
Brebaje y Transilvania: Dinámicas de diferenciación en la escena underground de 1985 a 1987 |
2024 |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
|
51-72 |
| Silverman, Michael J. |
A proposed Critical Theory of Music Vilification to explain “problem music” |
2024 |
The Arts in Psychotherapy |
91 |
|
| Simoulin, Jean Valnoir; Ballet, Nicolas; Ryan, Paul |
Arma Christi: Black Metal Apparel from the 20th Century |
2024 |
|
|
312 |
| Smialek, Eric |
Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
123-154 |
| Smialek, Eric; Bassler, Samantha |
Dis-ruptions: Heavy Metal Appropriations of Disability in Media |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
95-112 |
| Snaza, Nathan |
Man’s Ruin: Hearing Divide and Dissolve |
2024 |
Tendings: Feminist Esoterisms and the Abolition of Man |
|
s. p. |
| Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
| States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
| Tailleur, Modan; Pinquier, Julien; Millot, Laurent; Vogel, Corsin; Lagrange, Mathieu |
EMVD dataset: a dataset of extreme vocal distortion techniques used in heavy metal |
2024 |
21st International Conference on Content Based Multimedia Indexing (CBMI) |
|
126-130 |
| Tapia, Reynaldo |
Un análisis del Folk Metal desde afuera: Resistencias decoloniales y contra-hegemónicas |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
75-106 |
