Author  |
Title |
Year |
Publication |
Volume |
Pages |
| States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
| Tailleur, Modan; Pinquier, Julien; Millot, Laurent; Vogel, Corsin; Lagrange, Mathieu |
EMVD dataset: a dataset of extreme vocal distortion techniques used in heavy metal |
2024 |
21st International Conference on Content Based Multimedia Indexing (CBMI) |
|
126-130 |
| Tapia, Reynaldo |
Un análisis del Folk Metal desde afuera: Resistencias decoloniales y contra-hegemónicas |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
75-106 |
| Tapia, Reynaldo |
La masculinidad, machismo e inclusividad en las escenas metaleras: Los cambios en las expresiones de géneros en el metal |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
227-250 |
| Tapia, Reynaldo (ed) |
Indigenismo, Fusión y Folk Metal en Bolivia |
2024 |
|
|
|
| Tosun Durmuş, Büşra; Özkaya, Nur |
Doksanlar Türkiyesi’nde Altkültür Müzik Yayıncılığı: Fanzinler [Subculture Music Publishing in 1990s Türkiye: Fanzines] |
2024 |
Etkileşim: Academic Journal of Uskudar University Faculty of Communication |
13 |
250-285 |
| Trummer, Manuel |
Highway to Hell: Das Satanische im Heavy Metal |
2024 |
|
|
166 |
| Valijärvi, Riitta-Liisa |
The Laws of the Metal Scene from the Perspective of Linguistics |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
99-118 |
| Varas-Díaz, Nelson |
Extremity, Hope, and Sound in the Colonial Experience |
2024 |
Sound Research for Troubling Times. Hope in Crisis |
|
117-142 |
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
