Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Lux, Marian; Herbst, Jan-Peter |
From analogue to algorithm: How private production reshaped metal aesthetics |
2024 |
Metal Music Studies |
10 |
249-274 |
| Mechelinck, Gaëlle |
Underground Akkoorden: LGBTQ+ fans in Vlaamse Metal- en Hardrockgemeenschappen [Underground Accords: LGBTQIA+ Fans in Flemish Metal and Hard Rock Communities] |
2024 |
|
|
|
| Medeiros, Beatriz |
“Uma coisa que tentamos fazer por nós”: festival e resistência feminina na cena underground brasileira |
2024 |
Contrapulso |
6 |
26-40 |
| Medeiros, Beatriz |
Voces subversivas: género, resistencia y transformación en la escena metalera boliviana |
2024 |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
|
13-25 |
| Medeiros, Beatriz; Calvo, Manuela Belén; Silva, Melina Aparecida dos Santos |
Dossiê | Entre riffs e rebeliões: a presença feminina e queer no heavy metal sulamericano |
2024 |
Contrapulso |
6 |
4-10 |
| Mendoza, Boris |
La “integración” como concepto musical en el rock-metal. |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
119-1156 |
| Messick, Kyle J. |
The Psychology of Metal Music, Culture, and Dis/ability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
66-79 |
| Messick, Kyle J.; Agcaoili, Dani; Drane, Hogan; Taylor, Hope |
Are heavy metal fans sexist? The relationship between metal music depicting misogynistic violence and sexism |
2024 |
Metal Music Studies |
10 |
41-60 |
| Milazzo, Alex (ed) |
Ripping Tongues: Metal for Free Speech, Free Thought, and Free Expression |
2024 |
|
|
320 |
| Mora-Rioja, Arturo |
Religion and ambiguity in The “Marriage of Heaven and Hell” and its metal music afterlives |
2024 |
Metal Music Studies |
10 |
201-215 |
