Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Mora-Rioja, Arturo |
Religion and ambiguity in The “Marriage of Heaven and Hell” and its metal music afterlives |
2024 |
Metal Music Studies |
10 |
201-215 |
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Muller, Fabien |
Cemetery meditations and Morbid Visions: death metal as a spiritual exercise |
2024 |
Culture and Religion An Interdisciplinary Journal |
Latest Articles |
|
| Mustamo, Aila |
Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal] |
2024 |
KULTTUURINTUTKIMUS |
41 |
23-40 |
| Narendra, Yuka Dian |
“Holiday in Indonesia”: Memaknai Punk, Metal dan Konsumsi Subkultur Musik Populer di Indonesia Dekade 1980–an [“Holiday in Indonesia”: Understanding Punk, Metal, and the Consumption of Popular Music Subcultures in Indonesia in the 1980s] |
2024 |
Meruntuhkan Dinding Kelas: Punk dan Pedagogi di Indonesia [Breaking Down Classroom Walls: Punk and Pedagogy in Indonesia] |
|
119-133 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
2024 |
Music, Sound, and Documentary Film in the Global South |
|
89-112 |
| Núñez, María de la Luz |
Miradas de género a las escenas extremas bolivianas |
2024 |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
|
5-11 |
| Ourique, Julia |
¿Pueden las mujeres tocar heavy metal? Afectividad misógina en el heavy metal brasileño |
2024 |
Contrapulso |
6 |
11-25 |
| Oznaya, Rita |
Representaciones de las metaleras en el metal mexicano |
2024 |
Contrapulso |
6 |
41-56 |
| Palacios, Antonio |
The aesthetic of the unreadable: The impact of logotype readability on the corporate identity of death metal bands |
2024 |
Metal Music Studies |
10 |
233-248 |
