Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Pomacosi, Yelitza |
Rock indigenista: Rock de los Andes, nacimiento |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
9-28 |
| Powell, Merrick; Olsen, Kirk N., Davidson, Jane; Thompson, William Forde |
Understanding the Attraction to Music Containing Violent Themes: A Qualitative Analysis |
2024 |
Psychology of Popular Media |
Advance online publication |
|
| Quinn, Kate; Barton, Samantha |
Neurodiversity and Heavy Metal Music |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
80-94 |
| Radovanović, Bojana |
“Surrender is not an option”: Answers of the Serbian metal scene to the COVID-19 crisis |
2024 |
Metal Music Studies |
10 |
105-121 |
| Ramanauskaite, Egidija; Rudzionis, Vytautas |
Emotional Landscapes of Cultural Identity in Fanzines: The Power of Modern Computing in Enhancing Humanities Research |
2024 |
Baltic Journal of Modern Computing |
12 |
609-627 |
| Reinhardt, Jackson T. |
“To Rise Beyond Jesus”: Heavy Metal as Anti-theological Protest |
2024 |
Theology and Protest Music |
|
129-164 |
| Rivero-Vadillo, Alejandro |
“An Indigenous Fucking Blood Revival”: Pagan Aesthetics in The US Indigenous Black Metal Scene |
2024 |
Complutense Journal of English Studies |
32 |
e81707 |
| Rosa, Hartmut |
No Fear of the Dark. Une sociologie du heavy metal |
2024 |
|
|
|
| Rosario-Luna, Ramón |
Crisis notwithstanding: Metal in Puerto Rico |
2024 |
Made in Puerto Rico: Studies in Popular Music |
|
49-60 |
| Saavedra Rodríguez, Milen Graciela |
La fortaleza de ser una y todas: Creando un protocolo para enfrentas las violencias de género en el metal |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
251-272 |
