Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Saavedra, Milen; Tapia, Reynaldo (eds) |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
2024 |
|
|
|
| Scheller, Jörg |
Between the Laws: Researching the Aesthetics of Heavy Metal |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
119-134 |
| Schmidt, Paul |
Der Heavy Metal und die Monster |
2024 |
Eine kleine Geschichte der Orks: Der monströse Feind im Wandel der Zeit |
|
143-157 |
| Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
2024 |
|
|
|
| Silva Arratia, Mariela Aiggei |
Brebaje y Transilvania: Dinámicas de diferenciación en la escena underground de 1985 a 1987 |
2024 |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
|
51-72 |
| Silverman, Michael J. |
A proposed Critical Theory of Music Vilification to explain “problem music” |
2024 |
The Arts in Psychotherapy |
91 |
|
| Simoulin, Jean Valnoir; Ballet, Nicolas; Ryan, Paul |
Arma Christi: Black Metal Apparel from the 20th Century |
2024 |
|
|
312 |
| Smialek, Eric |
Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
123-154 |
| Smialek, Eric; Bassler, Samantha |
Dis-ruptions: Heavy Metal Appropriations of Disability in Media |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
95-112 |
| Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
