| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Weber, Joe |
Ronnie James Dio: the man on the silver mountain |
2024 |
Journal of Maps |
20 |
2349164 |
| Rivero-Vadillo, Alejandro |
“An Indigenous Fucking Blood Revival”: Pagan Aesthetics in The US Indigenous Black Metal Scene |
2024 |
Complutense Journal of English Studies |
32 |
e81707 |
| Ramanauskaite, Egidija; Rudzionis, Vytautas |
Emotional Landscapes of Cultural Identity in Fanzines: The Power of Modern Computing in Enhancing Humanities Research |
2024 |
Baltic Journal of Modern Computing |
12 |
609-627 |
| Eves, Natasha |
Performing Reparative Craft: Oreet Ashery’s “Passing through Metal” |
2024 |
Textile. Cloth and Culture |
22 |
571-585 |
| Vella, Elizabeth J.; McDonough, Cristin; Goldstein, Hannah |
Musical mood induction: The relative influences of music type and the importance of music preference |
2024 |
Psychology of Music |
53 |
523-534 |
| Verbeke, Hans; Hesselink, Onno |
Heavy Sounds in the West |
2024 |
|
|
400 |
| Whiteman, Jordan |
Dark Dungeon Music: The Unlikely Story of Dungeon Synth |
2024 |
|
|
400 |
| Pichler, Peter |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
2024 |
|
|
399 |
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Milazzo, Alex (ed) |
Ripping Tongues: Metal for Free Speech, Free Thought, and Free Expression |
2024 |
|
|
320 |
