| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Simoulin, Jean Valnoir; Ballet, Nicolas; Ryan, Paul |
Arma Christi: Black Metal Apparel from the 20th Century |
2024 |
|
|
312 |
| Saavedra Rodríguez, Milen Graciela |
La fortaleza de ser una y todas: Creando un protocolo para enfrentas las violencias de género en el metal |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
251-272 |
| Tosun Durmuş, Büşra; Özkaya, Nur |
Doksanlar Türkiyesi’nde Altkültür Müzik Yayıncılığı: Fanzinler [Subculture Music Publishing in 1990s Türkiye: Fanzines] |
2024 |
Etkileşim: Academic Journal of Uskudar University Faculty of Communication |
13 |
250-285 |
| Lux, Marian; Herbst, Jan-Peter |
From analogue to algorithm: How private production reshaped metal aesthetics |
2024 |
Metal Music Studies |
10 |
249-274 |
| Yiren Zhao |
Hermit Aesthetics in Chinese Metal Music: Subcultural Philosophy between Confucianism and DaoismPhilosophy between Confucianism and Daoism |
2024 |
Scenari. Rivista di estetica e metafisica |
21 |
233-254 |
| Palacios, Antonio |
The aesthetic of the unreadable: The impact of logotype readability on the corporate identity of death metal bands |
2024 |
Metal Music Studies |
10 |
233-248 |
| Tapia, Reynaldo |
La masculinidad, machismo e inclusividad en las escenas metaleras: Los cambios en las expresiones de géneros en el metal |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
227-250 |
| Hawkins, Shane; Pettipiece, Timothy |
Hammer of the gods: The heavy metal reception and reforging of Thor |
2024 |
Metal Music Studies |
10 |
217-232 |
| Benard, Charlène |
Who Listens to “Metal for Girls”? Metal, Orchestra and Female Voices: Measuring the Reception of Symphonic Metal in France, Between Middle Class and Gender |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
211-234 |
| Aguilar Mirandas, Jackeline Nohelia |
La presencia de las chicas en la escena hardcore punk cochabambino |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
209-226 |
