| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Hassan, Nedim |
“Heavy Metal on the Airwaves symposium”, Liverpool John Moores University, UK, 2 February 2024 |
2024 |
Metal Music Studies |
10 |
165-170 |
| Whalen, Kayley Margarite |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
162-178 |
| Bosselmann-Ruickbie, Antje |
Queen of All Cities: Echoes of Constantinople in Heavy Metal Music |
2024 |
Mittelalter und Populärkultur: Rezeption, Aneignung, Beachtung |
|
161-192 |
| Arias, Rafael |
La conexión ancestral en el arte visual del rock-metal boliviano |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
157-170 |
| Fulya Çelikel, Hale |
A post-pandemic survey of the Istanbul metal scene: Dorock and tribute bands |
2024 |
Metal Music Studies |
10 |
155-164 |
| Guibert, Gérôme |
“Good Times, Bad Times”: Hellfest in the days of COVID-19 |
2024 |
Metal Music Studies |
10 |
145-154 |
| Schmidt, Paul |
Der Heavy Metal und die Monster |
2024 |
Eine kleine Geschichte der Orks: Der monströse Feind im Wandel der Zeit |
|
143-157 |
| Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
| Pichler, Peter |
Contours of an Interdisciplinary Debate – a Conclusion |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
135-142 |
| Peredo Castro, Krupskaia |
Trayectorias femeninas y casos de violencias en la esena metalera |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
135-178 |
