| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Reinhardt, Jackson T. |
“To Rise Beyond Jesus”: Heavy Metal as Anti-theological Protest |
2024 |
Theology and Protest Music |
|
129-164 |
| Czedik-Eysenberg, Isabella; Wieczorek, Oliver; Flexer, Arthur; Reuter, Christoph |
Charting the Universe of Metal Music Lyrics and Analyzing Their Relation to Perceived Audio Hardness |
2024 |
Transactions of the International Society for Music Information Retrieval |
7 |
129-143 |
| Giza, Jarosław; Horowski, Kacper; Kiwak, Tomasz; Sajewicz, Adrian; Sajewicz, Aleksandra; & Totoś, Maksymilian |
Literature and heavy metal music: a comparative analysis of literary motifs in lyrics of the heavy metal band Iron Maiden and a practical guide for lyricists implementing literary motifs |
2024 |
|
|
128 |
| States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
| Tailleur, Modan; Pinquier, Julien; Millot, Laurent; Vogel, Corsin; Lagrange, Mathieu |
EMVD dataset: a dataset of extreme vocal distortion techniques used in heavy metal |
2024 |
21st International Conference on Content Based Multimedia Indexing (CBMI) |
|
126-130 |
| Welles, Petra |
Heavy Metal als (Frauen-)Beruf und Bildungsprozess |
2024 |
Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs |
51 |
123-131 |
| Smialek, Eric |
Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
123-154 |
| Hennion, Mark |
Tepid splashes and mighty typhoons: Examining 70000 Tons of Metal’s (post) pandemic proxemics |
2024 |
Metal Music Studies |
10 |
123-144 |
| Scheller, Jörg |
Between the Laws: Researching the Aesthetics of Heavy Metal |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
119-134 |
| Mendoza, Boris |
La “integración” como concepto musical en el rock-metal. |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
119-1156 |
