| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Narendra, Yuka Dian |
“Holiday in Indonesia”: Memaknai Punk, Metal dan Konsumsi Subkultur Musik Populer di Indonesia Dekade 1980–an [“Holiday in Indonesia”: Understanding Punk, Metal, and the Consumption of Popular Music Subcultures in Indonesia in the 1980s] |
2024 |
Meruntuhkan Dinding Kelas: Punk dan Pedagogi di Indonesia [Breaking Down Classroom Walls: Punk and Pedagogy in Indonesia] |
|
119-133 |
| Varas-Díaz, Nelson |
Extremity, Hope, and Sound in the Colonial Experience |
2024 |
Sound Research for Troubling Times. Hope in Crisis |
|
117-142 |
| Varas-Díaz, Nelson; Scott, Niall; Hagen, Ross; Hassan, Nedim |
MMS at ten: Achievements, aspirations and challenges on the horizon |
2024 |
Metal Music Studies |
10 |
117-181 |
| Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
| Guardado Salguero, Eliseo |
A Multi-setting, Contrastive Exploration of both the Eurometal Nightmare Tour and the Nekronomikon Dream Forest in Dean Swinford’s “Death Metal Epic I: The Inverted Katabasis” |
2024 |
ostrava journal of english philology |
16 |
109-127 |
| Choque Márquez, Edwin |
Andesground: Re-mirar nuestros propios contextos |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
107-118 |
| Radovanović, Bojana |
“Surrender is not an option”: Answers of the Serbian metal scene to the COVID-19 crisis |
2024 |
Metal Music Studies |
10 |
105-121 |
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
| Valijärvi, Riitta-Liisa |
The Laws of the Metal Scene from the Perspective of Linguistics |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
99-118 |
| Apaza Terceros, Carmen Julia (Juka) |
Chicas heavies: La mujer músico en el metal boliviano |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
99-134 |
