| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Medeiros, Beatriz |
“Uma coisa que tentamos fazer por nós”: festival e resistência feminina na cena underground brasileira |
2024 |
Contrapulso |
6 |
26-40 |
|
|
|
Fessenden, Jon W. |
Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
23-37 |
|
|
|
Mustamo, Aila |
Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal] |
2024 |
KULTTUURINTUTKIMUS |
41 |
23-40 |
|
|
|
Brown, Andy R. |
Resistance Through Music: Exploring the Role of Class Fraction Appropriations and Alliances in the Subcultural Formation of Heavy Metal, Classic, Post and Present |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
17-41 |
|
|
|
Medeiros, Beatriz |
Voces subversivas: género, resistencia y transformación en la escena metalera boliviana |
2024 |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
|
13-25 |
|
|
|
Hiebaum, Christian |
Law and Its Cultural Representations (With a Focus on Heavy Metal Studies) |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
11-28 |
|
|
|
Ourique, Julia |
¿Pueden las mujeres tocar heavy metal? Afectividad misógina en el heavy metal brasileño |
2024 |
Contrapulso |
6 |
11-25 |
|
|
|
Eckerström, Pasqualina |
Putting transgression into context within the complex Saudi heavy metal scene |
2024 |
Metal Music Studies |
10 |
9-26 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
|
|
|
Pomacosi, Yelitza |
Rock indigenista: Rock de los Andes, nacimiento |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
9-28 |
|
