| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Messick, Kyle J. |
The Psychology of Metal Music, Culture, and Dis/ability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
66-79 |
| Jung, Lea; Suer, Daniel |
Hard Wired VIII: Methodical Approaches to Music and Dance: Exploring the Field of Heavy Metal and Its Genre Boundaries, hosted by Florian Heesch, Daniel Suer and Franziska Kaufmann, University of Siegen, Siegen, 8–9 September 2022 |
2024 |
Metal Music Studies |
10 |
61-64 |
| Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
| Chmelařová, Linda |
Zpráva z konference Metal and Transgression: Scenes, Politics, and Religion, 6–7.9.2023, Brno, Česká republika [Conference Report Metal and Transgression: Scenes, Politics, and Religion, 6–7 September 2023, Brno, Czech Republic] |
2024 |
Sacra |
22 |
58-60 |
| Cárdenas Azuaje, Diana María; Cuchivague, Karen Ortiz, Karen |
El arte del ruido: el discurso visual sobre las mujeres en algunas carátulas de discos de metal colombiano |
2024 |
Contrapulso |
6 |
57-73 |
| Höpflinger, Anna-Katharina |
In Red Sneakers to a Black Metal Concert? The “Laws” of the Metal Dress Code between Transgression and Convention |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
55-68 |
| Castro Balbuena, Antonio |
Narratividad, mitos y leyendas en la canción de folk metal española. Saurom: Juglares de fantasía épica sonora |
2024 |
Tropelías |
41 |
55-73 |
| Lliulli, Miguel Ángel |
El Rock Metal como factor reivindicador indígena |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
53-74 |
| Juniper, Steff |
Disabled Drone: Trans-Feminist Noisecraft |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
52-65 |
| Silva Arratia, Mariela Aiggei |
Brebaje y Transilvania: Dinámicas de diferenciación en la escena underground de 1985 a 1987 |
2024 |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
|
51-72 |