| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Rosario-Luna, Ramón |
Crisis notwithstanding: Metal in Puerto Rico |
2024 |
Made in Puerto Rico: Studies in Popular Music |
|
49-60 |
| Welles, Petra |
Heavy Metal als (Frauen-)Beruf und Bildungsprozess |
2024 |
Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs |
51 |
123-131 |
| Narendra, Yuka Dian |
“Holiday in Indonesia”: Memaknai Punk, Metal dan Konsumsi Subkultur Musik Populer di Indonesia Dekade 1980–an [“Holiday in Indonesia”: Understanding Punk, Metal, and the Consumption of Popular Music Subcultures in Indonesia in the 1980s] |
2024 |
Meruntuhkan Dinding Kelas: Punk dan Pedagogi di Indonesia [Breaking Down Classroom Walls: Punk and Pedagogy in Indonesia] |
|
119-133 |
| Eckerström, Pasqualina |
Putting transgression into context within the complex Saudi heavy metal scene |
2024 |
Metal Music Studies |
10 |
9-26 |
| Varas-Díaz, Nelson; Scott, Niall; Hagen, Ross; Hassan, Nedim |
MMS at ten: Achievements, aspirations and challenges on the horizon |
2024 |
Metal Music Studies |
10 |
117-181 |
| al-Soukkary, Wael |
Egypt’s folk devils? Metal music as a pious alternative for Egyptian metal fans |
2024 |
Metal Music Studies |
10 |
183-200 |
| Mora-Rioja, Arturo |
Religion and ambiguity in The “Marriage of Heaven and Hell” and its metal music afterlives |
2024 |
Metal Music Studies |
10 |
201-215 |
| Hawkins, Shane; Pettipiece, Timothy |
Hammer of the gods: The heavy metal reception and reforging of Thor |
2024 |
Metal Music Studies |
10 |
217-232 |
| Palacios, Antonio |
The aesthetic of the unreadable: The impact of logotype readability on the corporate identity of death metal bands |
2024 |
Metal Music Studies |
10 |
233-248 |
| Lux, Marian; Herbst, Jan-Peter |
From analogue to algorithm: How private production reshaped metal aesthetics |
2024 |
Metal Music Studies |
10 |
249-274 |
