| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Guardado Salguero, Eliseo |
A Multi-setting, Contrastive Exploration of both the Eurometal Nightmare Tour and the Nekronomikon Dream Forest in Dean Swinford’s “Death Metal Epic I: The Inverted Katabasis” |
2024 |
ostrava journal of english philology |
16 |
109-127 |
| Fulya Çelikel, Hale |
A post-pandemic survey of the Istanbul metal scene: Dorock and tribute bands |
2024 |
Metal Music Studies |
10 |
155-164 |
| Silverman, Michael J. |
A proposed Critical Theory of Music Vilification to explain “problem music” |
2024 |
The Arts in Psychotherapy |
91 |
|
| Addergebroed |
Addergebroed Book II: 2021 – 2024 |
2024 |
|
|
|
| Choque Márquez, Edwin |
Andesground: Re-mirar nuestros propios contextos |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
107-118 |
| Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
| Gutiérrez, Iván; Kenta, Paola |
Apuntes para una reflexión sobre el Rock Chicha: Un proyecto en construcción |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
29-52 |
| Messick, Kyle J.; Agcaoili, Dani; Drane, Hogan; Taylor, Hope |
Are heavy metal fans sexist? The relationship between metal music depicting misogynistic violence and sexism |
2024 |
Metal Music Studies |
10 |
41-60 |
| Simoulin, Jean Valnoir; Ballet, Nicolas; Ryan, Paul |
Arma Christi: Black Metal Apparel from the 20th Century |
2024 |
|
|
312 |
| Scheller, Jörg |
Between the Laws: Researching the Aesthetics of Heavy Metal |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
119-134 |
