| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Vella, Elizabeth J.; McDonough, Cristin; Goldstein, Hannah |
Musical mood induction: The relative influences of music type and the importance of music preference |
2024 |
Psychology of Music |
53 |
523-534 |
| Guibert, Gérôme; Garbaye, Romain |
Musical Scenes and Social Class: Debating Punk and Metal |
2024 |
|
|
|
| Quinn, Kate; Barton, Samantha |
Neurodiversity and Heavy Metal Music |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
80-94 |
| Rosa, Hartmut |
No Fear of the Dark. Une sociologie du heavy metal |
2024 |
|
|
|
| Viegas, Noélia dos Reis; Martins, João Eduardo |
O mundo do metal e as suas identidades. Uma abordagem sociológica sobre a situação portuguesa |
2024 |
Sociologia on-line |
34 |
35-62 |
| Lliulli, Miguel Ángel |
Panorama general del folk metal en Latinoamérica y en Bolivia |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
171-196 |
| Eves, Natasha |
Performing Reparative Craft: Oreet Ashery’s “Passing through Metal” |
2024 |
Textile. Cloth and Culture |
22 |
571-585 |
| Jamshid, Jon; Patterson, Dayal |
Petrified: Under the Full Moon |
2024 |
|
|
|
| Hagen, Katharina |
Postmodernism in Lord Of The Lost’s “Judas”: The apocryphal “The Gospel of Judas”, William Shakespeare’s “Romeo and Juliet”, and the role of the stars |
2024 |
Metal Music Studies |
10 |
27-40 |
| Eckerström, Pasqualina |
Putting transgression into context within the complex Saudi heavy metal scene |
2024 |
Metal Music Studies |
10 |
9-26 |
