| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Rivero-Vadillo, Alejandro |
“An Indigenous Fucking Blood Revival”: Pagan Aesthetics in The US Indigenous Black Metal Scene |
2024 |
Complutense Journal of English Studies |
32 |
e81707 |
| Guibert, Gérôme |
“Good Times, Bad Times”: Hellfest in the days of COVID-19 |
2024 |
Metal Music Studies |
10 |
145-154 |
| Hassan, Nedim |
“Heavy Metal on the Airwaves symposium”, Liverpool John Moores University, UK, 2 February 2024 |
2024 |
Metal Music Studies |
10 |
165-170 |
| Gremsl, Thomas |
“Law(s) of the Metal Scene” – Not Laws, But Values, Norms, and Principles |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
43-54 |
| Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
| Radovanović, Bojana |
“Surrender is not an option”: Answers of the Serbian metal scene to the COVID-19 crisis |
2024 |
Metal Music Studies |
10 |
105-121 |
| Reinhardt, Jackson T. |
“To Rise Beyond Jesus”: Heavy Metal as Anti-theological Protest |
2024 |
Theology and Protest Music |
|
129-164 |
| Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
| Guardado Salguero, Eliseo |
A Multi-setting, Contrastive Exploration of both the Eurometal Nightmare Tour and the Nekronomikon Dream Forest in Dean Swinford’s “Death Metal Epic I: The Inverted Katabasis” |
2024 |
ostrava journal of english philology |
16 |
109-127 |
