| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Gremsl, Thomas |
“Law(s) of the Metal Scene” – Not Laws, But Values, Norms, and Principles |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
43-54 |
| Höpflinger, Anna-Katharina |
In Red Sneakers to a Black Metal Concert? The “Laws” of the Metal Dress Code between Transgression and Convention |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
55-68 |
| Pichler, Peter |
Going Deep: The Cultural-Historical Perspective on the Laws of Metal |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
85-98 |
| Valijärvi, Riitta-Liisa |
The Laws of the Metal Scene from the Perspective of Linguistics |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
99-118 |
| Pichler, Peter |
Contours of an Interdisciplinary Debate – a Conclusion |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
135-142 |
| Calvo, Manuela Belén |
El metal en Argentina: disputas espacio-temporales de una escena musical |
2024 |
DEBATS |
138 |
77-91 |
| Muller, Fabien |
Cemetery meditations and Morbid Visions: death metal as a spiritual exercise |
2024 |
Culture and Religion An Interdisciplinary Journal |
Latest Articles |
|
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
| García-Peinazo, Diego |
Fantasías intertextuales: los tracks introductorios de las bandas de metal épico y sinfónico en los albores del siglo XXI |
2024 |
Análisis musical y musicología: juego de espejos |
|
207-218 |
| Schmidt, Paul |
Der Heavy Metal und die Monster |
2024 |
Eine kleine Geschichte der Orks: Der monströse Feind im Wandel der Zeit |
|
143-157 |
