Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Granados Sevilla, Alan Edmundo |
Public revolutionaries, private conservatives: rock performances of leftist political thought |
2025 |
Popular Music |
44 |
1-16 |
| González-Martínez, Susana |
A retrospective of Nelson Varas-Díaz’s “Decolonial Metal Music in Latin America” |
2025 |
Metal Music Studies |
11 |
187-191 |
| Golovin, Aleksandar |
Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music |
2025 |
|
|
Chapter 12 |
| Girard-Despraulex, Elise |
Storytelling, Narrative, and Coherence in Avatar’s “Feathers and Flesh (In His Own Words)” (2027) |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
315-326 |
| Georgios, Trigas |
Η πρώτη περίοδος του ελληνικού black metal. Ταυτότητα, νεωτερικότητα, και πολιτιστική παραγωγή κατά την περίοδο 1988 – 1993 [The first period of Greek black metal. Identity, modernity, and cultural production during the period 1988 – 1993] |
2025 |
|
|
|
| Garza, José M. |
Primordial Percussion: Drumming in Six Influential Metal Albums |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
217-235 |
| Gamble, Steven; Kennedy, Lewis |
Fragmented and Distributed Production Practices in 21st Century Metal Music: From the Studio to the Bedroom (and Back Again?) |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
411-426 |
| Friaud, Andrée; Jakubowicz, Maël Hamey |
Étudier les musiques populaires : culture, économie, politique. Entretien avec Gérôme Guibert |
2025 |
transposition. Musique et Sciences Sociales |
13 |
s. p. |
| Flaherty, Eoin |
The three worlds of heavy metal: Inequality and the political economy of metal music |
2025 |
Metal Music Studies |
11 |
43-64 |
| Fejes, János |
“Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
204-214 |
