Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Klypchak, Brad |
Memoir-ish reflections on “Please Kill Me: The Uncensored History of Punk” |
2025 |
Metal Music Studies |
11 |
121-125 |
| Kirkmeyer, Brian |
A retrospective of Ian Christe’s “Sound of the Beast: The Complete Headbanging History of Heavy Metal” |
2025 |
Metal Music Studies |
11 |
131-134 |
| King, Clare |
Nu Metal’s Influential Vocal Composition: Tension and Release in the Music of Korn, Incubus, and Machine Head |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
354-367 |
| Kaban, Shvan |
The Evolution of the Bass Guitar in Metal Music: Its Function in Performance and Compositional Structure |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
270-286 |
| Johnson, Rose |
“Black Candles Burn”: Ghost’s Invitation to the Occult |
2025 |
Revenant |
12 |
64-82 |
| Hutzel, Alexander |
Homo Festivus: Das Summer Breeze-Festival und seine Besucher |
2025 |
Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland |
|
91-124 |
| Hudson, Stephen S. |
A retrospective of “Running with the Devil” by Robert Walser |
2025 |
Metal Music Studies |
11 |
117-120 |
| Hudson, Stephen S. |
Recognizing Tonal Momentum and Echoes of Past Styles in Riff Turnarounds |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
37-50 |
| Hong-June Park |
Praxeology in the Mosh Pit: Event Promotion and Global Networks in the Indonesian-Korean Metal Scene, 2017-2025 |
2025 |
글로벌문화콘텐츠 [Global Cultural Contents] |
63 |
45-80 |
| Hoad, Catherine |
A retrospective of Laina Dawes’s “What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal” |
2025 |
Metal Music Studies |
11 |
175-178 |
