Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Zaddach, Wolf-Georg |
Blackened Textures: Black Metal’s Sonic Complexity During the Second and Third Waves |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
182-200 |
| Wood, Caroline N. C. |
Hardcore and Metal Music in Music Therapy: A Functional Guide for Music Therapists and Music Therapy Students |
2025 |
|
|
|
| Wallach, Jeremy |
Eggheadbanger classic: A reflection on Keith Kahn-Harris’s “Extreme Metal: Music and Culture on the Edge” |
2025 |
Metal Music Studies |
11 |
139-142 |
| Walch, Florian |
Imagining Future Extremes on the Record Player: Time Axis Manipulation as a Theory of Extreme Metal Creativity and History |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
385-396 |
| Wagener, Andreas |
Welcome to the Meta(l)verse: “Virtual Metal” – Welche Chancen und Herausforderungen ergeben sich für Metal und Metal- Festivals im virtuellen Raum |
2025 |
Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland |
|
323-351 |
| Vidal, Hera |
A retrospective of Nicola Masciandaro’s “Hideous Gnosis: Black Metal Theory Symposium I” |
2025 |
Metal Music Studies |
11 |
153-156 |
| Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
The paths we travel: Three paradigmatic shifts in metal music studies |
2025 |
Metal Music Studies |
11 |
23-41 |
| Valasik, Matthew; Reling, Timothy T.; Reid, Shannon E. |
The (non)offensive nature of “white power” music, a research note |
2025 |
Criminology |
First Published |
|
| Tuttle, Joshua B. |
Recovery, Escape, and Consolation: Uriah Heep’s The Magician’s Birthday as Fairy-Story |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
234-243 |
| Thomson, Andrew |
On the road to heaviness: A retrospective of Dan Franklin’s “Heavy” |
2025 |
Metal Music Studies |
11 |
183-186 |
