Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Radovanović Šuput, Bojana |
Estetika ružnoće – zvuk i slika ekstremne metal glazbe [The Aesthetics of Ugliness – The Sound and Image of Extreme Metal Music] |
2025 |
Filozofska istraživanja |
45 |
417-436 |
| Radovanović Šuput, Bojana |
Estetika ružnoće – zvuk i slika ekstremne metal glazbe [Aesthetics of Ugliness – Sound and Image of Extreme Metal Music] |
2025 |
Filozofska Istrazivanja |
45 |
417-436 |
| Quires, Vik J. |
Thine Voice is Oh So Sweet: Gothic Metal and Vocal Timbre Diversity |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
341-353 |
| Quinn, Kate; Kerrigan, Andy; Ing, Jess |
“From their screaming I found feeling and meaning” |
2025 |
Psychologist |
May |
38-40 |
| Popoff, Martin |
Hallowed By Their Name: The Unofficial Iron Maiden Bible |
2025 |
|
|
666 |
| Pichler, Peter; Béra, Camille; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
Meta/Metal: Open Questions in Metal Studies |
2025 |
|
|
300 |
| Petri, Jörg |
Identitätskollektive – Visuelle Erscheinungsbilder von Heavy- Metal-Festivals |
2025 |
Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland |
|
153-198 |
| Penwell, Benjamin J . |
“NO CLEAN SINGING” – The Exclusive or Predominant Use of Harsh Vocals as the Primary Unifying Musical Characteristic of Extreme Metal Genres |
2025 |
|
|
|
| Parker, Ruth; Spracklen, Karl |
Highway to hell or stairway to heaven: Making sense of the rock and metal scenes in Bradford and Leeds, West Yorkshire 1980–2005 |
2025 |
Metal Music Studies |
11 |
239-256 |
| Panayotov, Stanimir |
Rainbow corpse paint |
2025 |
Journal for Cultural Research |
30 |
122-140 |
