Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Núñez, María de la Luz |
Buscando masculinidades no hegemónicas en la escena peruana de música metal contemporánea |
2025 |
Masculinidades Latinoamericanas |
3 |
77-94 |
| Osborne, Tyler |
Keys to Hell: Synthesizers from Early Death Metal to Deathcore |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
287-306 |
| Paklmer, Tim; Burnard, Pamela; Burke, David |
Inviting a (Re)Orientation to “Musicking- as-Play” in Higher Music Education Performance Studies: Insights from Three Genre Performance Practices |
2025 |
Action, Criticism, and Theory for Music Education |
24 |
7-47 |
| Panayotov, Stanimir |
Rainbow corpse paint |
2025 |
Journal for Cultural Research |
30 |
122-140 |
| Parker, Ruth; Spracklen, Karl |
Highway to hell or stairway to heaven: Making sense of the rock and metal scenes in Bradford and Leeds, West Yorkshire 1980–2005 |
2025 |
Metal Music Studies |
11 |
239-256 |
| Penwell, Benjamin J . |
“NO CLEAN SINGING” – The Exclusive or Predominant Use of Harsh Vocals as the Primary Unifying Musical Characteristic of Extreme Metal Genres |
2025 |
|
|
|
| Petri, Jörg |
Identitätskollektive – Visuelle Erscheinungsbilder von Heavy- Metal-Festivals |
2025 |
Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland |
|
153-198 |
| Pichler, Peter; Béra, Camille; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
Meta/Metal: Open Questions in Metal Studies |
2025 |
|
|
300 |
| Popoff, Martin |
Hallowed By Their Name: The Unofficial Iron Maiden Bible |
2025 |
|
|
666 |
| Quinn, Kate; Kerrigan, Andy; Ing, Jess |
“From their screaming I found feeling and meaning” |
2025 |
Psychologist |
May |
38-40 |
