Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Ringsmut, Martin |
Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music |
2025 |
|
|
Chapter 9 |
| Ringsmut, Martin |
Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal Music |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
107-116 |
| Rosario-Luna, Ramón |
Puya como origen del Metal afrocaribeño: inicios de un análisis musical |
2025 |
AULA Revista de Humanidades y Ciencias Sociales |
72 |
|
| Sarkar, Debarun |
“A distant echo attracts me, fragrance of life beyond”: growing up a metalhead in India |
2025 |
South Asian History and Culture |
16 |
14-27 |
| Schaller, Milan K. |
“We are The Varangian Guard”: Musical Rhetoric and Literary Reference in Turisas’s Varangian Way Albums |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
190-203 |
| Scotto, Ciro |
Dream Theater’s The Astonishing: The Unification of the Literary and the Musical |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
302-314 |
| Stolz, Nolan |
The Origin of Progressive Metal Lyrics in Black Sabbath’s Music |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
70-80 |
| Tuttle, Joshua B. |
Recovery, Escape, and Consolation: Uriah Heep’s The Magician’s Birthday as Fairy-Story |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
234-243 |
