Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Golovin, Aleksandar |
Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music |
2025 |
|
|
Chapter 12 |
| González-Martínez, Susana |
A retrospective of Nelson Varas-Díaz’s “Decolonial Metal Music in Latin America” |
2025 |
Metal Music Studies |
11 |
187-191 |
| Granados Sevilla, Alan Edmundo |
Public revolutionaries, private conservatives: rock performances of leftist political thought |
2025 |
Popular Music |
44 |
1-16 |
| Groccia, Martine; Bruno-Mattier, Éric |
Hard Rock / Heavy Metal dans les fanzines des années 80. Rendre compte d’une expérience sensible et donner sens à l’objet musical |
2025 |
Archiv für Textmusikforschung |
9 |
s.p. |
| Guibert, Gérôme |
A reflection on Fabien Hein’s “Hard Rock, Heavy Metal, Metal: Histoire, Cultures et Pratiquants” |
2025 |
Metal Music Studies |
11 |
127-130 |
| Hagen, Ross |
Revisiting “The Metal Void: First Gatherings” (2010) in 2024 |
2025 |
Metal Music Studies |
11 |
161-164 |
| Hannan, Calder |
Metal Guitar Techniques as Timbre, Form, and Speed |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
253-269 |
| Heidl, Sára Eszter |
Expanding the spiritual festival space: The online event community of a Hungarian festival |
2025 |
Social Compass |
72 |
221-239 |
| Hemery, David |
Black Metal and the Sonic Search for Nature |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
456-468 |
| Herbst, Jan-Peter; Mynett, Mark |
Aesthetic Tensions in Metal Production: Genre Expectations, Technological Mediation, and Creative Freedom |
2025 |
Popular Music and Society |
Latest Articles |
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