Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Smialek, Eric |
“All Shall Scream”: Transposable Lessons from Pierre-Luc Senécal’s Hate.Machine for Growlers Choir |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
309-326 |
| Smolík, Josef; Pospíšil, Jiří; Olecká, Ivana |
Forging a subcultural identity in the context of gender inequalities, generational bridges and symbolic security in Czech metal |
2025 |
Metal Music Studies |
11 |
257-278 |
| Snyder, Livy Onalee |
A reflection on Julie Turley and Joan Jocson-Singh’s “Heavy Music Mothers: Extreme Identities, Narrative Disruptions” |
2025 |
Metal Music Studies |
11 |
193-196 |
| Spracklen, Karl |
Making sense of metal in the United Kingdom and the future of metal music studies: A case study of Wytch Hazel and Arð |
2025 |
Metal Music Studies |
11 |
11-21 |
| Squires, Vik J. |
“Thine Voice is Oh So Sweet”: Gothic Metal and Diverse Vocal Timbres |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
341-353 |
| Stemland, Nora Elise |
Hitting the Right Note of Equality – A discourse analysis of inclusivity and the position of female musicians in the Norwegian metal scene |
2025 |
|
|
|
| Stolz, Nolan |
The Origin of Progressive Metal Lyrics in Black Sabbath’s Music |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
70-80 |
| Stolz, Nolan |
Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
69-83 |
| Strauss, Suzanne |
Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
327-340 |
| Thaller, René Peter |
Menschen, Marken, Moshpits & Moneten – Analyse der durch die Geschäftstätigkeiten von Napalm Records in der Steiermark ausgelösten regionalwirtschaftlichen Effekte |
2025 |
Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland |
|
225-246 |
